Parsons, Ch 7: Aesthetic Preservationism

1. Preservation vs conservation

a. Conservation: Saving nature as prudence in managing resources for human use

b. Preservation: Nature has value beyond its practical benefits for humanity

2. Aes value is a kind of non-practical value and thus might give us reason for “preservation” rather than “conservation”

a. Is aesthetic valuing anthropocentric valuing nonetheless?

3. Aesthetic Preservationism (=AP): Preserve nature because of its aesthetic value

4. How strong AP? How important is aesthetic value in preservation?

a. Aes is one consideration/reason for preservation

i. Important?

ii. Trivial?

iii. Other rationales for protecting nature include.....

b. Aes value is sufficient (all one needs) for preserving nature

c. Necessary to appeal to aes value for an adequate case for preservationism

i. If Parson’s is right that there are no clear candidates for reasons to preserve (as opposed to conserve) inanimate nature (lakes, rivers, Mountains) besides aesthetics, then aes preservation is necessary

d. Aes value is the best reason, or most defensible reason for preserving nature?

5. How important is aes value in actual env policy debates?

a. Aes value the factor that most readily springs to mind

i. Save Grand Canyon because it is so beautiful

6. Beauty rationally justifiable reason for preservation or only rhetorically effective?

a. Distinction between aes value being rhetorically effective in pushing people’s buttons to protect nature and aes value being a good reason to protect nature from development

b. Difference between motivation and reason (rational justification)

7. Examples where preservation might be based on aesthetics (AP)

a. Harris island super-quarry: “A great white gouge out of the landscape, as if someone literally wounded landscape”

b. Yew Tree Tarn: Small lake that was draining due to underground fault and group intervened to prevent draining in order to preserve the beauty of the lake and surrounding areas:

i. “The area has been landscaped to ensure its beauty is permanent”

ii. Conflict between preserving beauty and preserving wildness

c. Arctic national wildlife refuge (details)

8. Three assumptions of AP

a. Rather than assumptions, these are desiderata (except the first which is necessary)

9. One: There are better/worse aes assessments of nature

a. Must reject PM (post modernism approach)

b. For if not, then those favoring exploitation can simply assert that a natural area has little aesthetic value (and those opposing development can assert the opposite, and neither or both are right....)

10. Two: AP requires Positive Aesthetics (=PA)

a. Here Parsons defines PA = All natural things/areas have at least some significant amount of aes value

b. Many areas in need of preservation are thought to be unattractive (wetlands, prairies)

c. If AP to be a widely applicable strategy, a good deal if not most of nature must be aesthetically good

i. That would help for PA to be useful in preservationism

ii. Still allows for ugly nature

11. Three: When value aesthetically this is intrinsic, not instrumental valuing

a. Distinction instrumental/intrinsic valuing

i. Valuing instrumentally, like valuing money, entails that we don’t care for the thing itself, but only what it gets us and so don’t care if the thing is replaced by something else that gets us the same result

ii. With intrinsic value we do care for thing itself and not willing for it to be replaced with something that gets us the same result

b. If aesthetic value is instrumental valuing, then we are not valuing nature but the (aes) experience it is giving us

i. “Preserve nature’s aesthetic treasures so that others can enjoy them” p. 103...

c. Dangerous because if there was some other source of that experience, we’d be just as happy with that, even if not nature, but an experience machine, virtual reality, plastic trees

d. If AP is going to be a reason to preserve nature itself, it needs to think of aes valuing as an intrinsic valuing

e. How aes valuing is intrinsic valuing of the aes object

i. The valuable aes experience we get is a way of valuing the aes object for its own sake

ii. We are not (simply or mainly) intrinsically valuing the aes experience we get, but that aesthetic experience is a way of intrinsically valuing the aesthetic object

12. Nature of environment’s aes value

a. Response dependent: Aes value inanimate object have comes ultimately from responses they cause in human beings 102

i. Better not be claiming their aes value reduces to aes experiences in us! For then their value is instrumental and we are not valuing nature for own sake

b. This aes value is a “human value,” but is not reducible to the practical or economic benefits that they bring us

i. Not anthropocentric instrumental, so not like recreational value, or therapeutic value, or resources value

c. Their value arises not from our manipulating or using them in a certain way, but only from looking and listening

d. Aes value provides the kind of reasons preservationists want: A reason to preserve nature even though gain no practical benefit from so doing

e. AP says to preserve nature for its aes value and this is not saying preserve it for its ability to give people positive aesthetic experiences

13. Why use nature’s aes value to preserve it rather than some other non-practical value?

a. Reply: There are no other clear candidates for preservation of inanimate objects in nature besides their aesthetic value

14. Nature’s ethical value is non-practical value of nature, why not use it instead of aesthetics?

a. But the most plausible way to spell out nature’s ethical value is to base it on the interests/needs of other living organisms in nature

i. This gives us a reason to preserve them and the habitats on which they depend

b. But much of what we want to preserve in nature goes beyond preserving living organisms

c. We want to preserve islands, lakes, stretch of tundra (inorganic nature)

d. **Would not be satisfied if oil companies could prove that drilling for oil in Arctic Refuge (roads, oil platforms and drilling equipment) would not hurt wildlife (flora or fauna)

i. We want to preserve that place itself

e. But inorganic nature does not have interests/needs (goods of their own as do living things) and so doesn’t have ethical value in that sense

f. So need to appeal to the aesthetic value of these places

g. Appeal to aesthetic value of inorganic nature easier to defend than arguing they have interests/needs we ethically ought to respect

i. Claiming these places have aes value is neither implausible nor mysterious (as claims that mountains have needs is)

ii. Claiming that lakes or islands have aesthetic value does not commit us to implausible claims about their having interests and needs of their own

iii. Nothing weird/mysterious about inanimate objects having aesthetic value (art objects inanimate)

iv. The view of moral standing known as “ecocentrism” claims the land itself (and other abiota) are important in own right

15. TWO ISSUES FOR AP

16. One: Should we preserve natural beauty threatened by nature?

a. Strong AP says yes

i. Yew tree tarn example

ii. Beautiful bird species going extinct due to natural cycle of disease or decline in food supply

(1) Provide food or innoculate it

iii. Spectacular natural arch about to crumble

iv. Soap in plumbing of Old Faithful to keep it regular

b. Weak AP says no

i. Only save natural things when threatened by human activity

17. Argument for strong AP: Protect beautiful human artefacts from natural threats, why not beautiful nature?

a. We preserve other cases of aes value (art object or beautiful sports car) from both natural (hail storm) and human (sledge hammer) caused damage

18. Argument against Strong AP: No longer preserving natural beauty, but artefactual beauty

a. “Protecting” Yew Tree Tarn turns it into something come about through intentional human agency–an artefact

b. Thus not preserving nature but destroying it

c. Only weak AP is a form of nature preservation!

i. Only weak AP preserves natural beauty

ii. Strong AP preserves beauty, but only artifactual beauty

19. Main point: Preserving aesthetic value and preserving nature may be in tension

a. Beauty versus wildness value of nature

20. Two: Worry that aes value of nature is a weak value easily outweighed by practical values of developing nature

a. Jobs, convenient travel, profits, cheaper foods/goods

21. Is aes value always outranked by other values?

a. So at most it’s an “all other things being equal” consideration?

22. Loftis argument that aes value is a trivial value: It is trivial in human decisions, why isn’t it also trivial in nature decisions

a. Heart transplant example: Wrong to give it to beautiful person instead of the ugly one

i. For this decision, beauty is superficial and unimportant value

ii. Compared to other considerations like life expectancy

b. Aes value weak and can’t justify env protection that costs jobs, income, etc

i. Loftis: “How can environmentalists ask thousands of loggers to give up their jobs and way of life on basis of aesthetics”

23. Parsons response: Okay aesthetics can’t trump “considerations of basic human viability” like jobs, income, life

a. Not clear to me (see Churchill example below)

b. Loftis example is not choosing aes value over value of life, but choosing between two lives based on aes value

24. But we do make significant practical sacrifices for aes value

a. Monies spent on artworks, art institutions

i. Money that could be used for income/jobs for others

b. We spend lots of $ on aes value and think it justified and these all have opportunity costs

i. Beautifucation programs run by cities

ii. Mainting local gardens

iii. Architectural repair and restoration

iv. Money spent on furniture, clothes, houses, cars–some of this for aes value

c. Sometimes even willing to sacrifice life for aes value

i. Churchill spending $ to move art out of London in WWII during German bombing instead of using those resources for protecting civilians

25. False that aes value is too weak to ever outweigh pragmatic benefits of development

a. Remember aes value is added to other considerations for env preservation–e.g., the pragmatic benefits of preservation for people and animals

b. A weakness in Parson’s characterization of AP is he assumes it is suppose to do all the work in preservation, rather than addition to other considerations

26. THE PRESERVATIONIST’S DILEMMA

27. AP must assume that preserved nature is more aes valuable than the development that would replace it

a. This is not always the case

28. Sometimes human development has greater aes value

a. Building Venice in the marsh and Sistine Chapel in woods

29. But much of human development of nature is ugly

a. Vulgar, programmatic and uninspired

b. Urban sprawl (meaningless repetition, incongruous mishmash of architectural elements), strip mines, industrial farms, massive dams

c. Not aes gains

30. Is it generally true that human development is less aes valuable than the nature that was destroyed?

31. Unclear if human developments are typically ugly or if ones we think of as ugly, really lack aes value

a. Major dam project “one of the worlds great scenic wonders”

b. Strip mine in Montana, aesthetically more interesting than surrounding landscape https://www.panoramio.com/photo/27976214

c. Saito idea of incongruity enhancing aes value:

i. Industrial site in wilderness

ii. Jarring dissonance in the elements is valuable in art why not in nature?

d. Ugly development can have positive expressive value

i. Billowing smoke, loud noise, roaring fire rather than being obtrusive and marring, might be indicative of power and vitality

ii. Hard work, determination and vision of developers

e. Beautiful photographs of industrial developments that scar the earth–e.g., Edward Burtynsky

f. Camp sensibility: the vulgar, programmatic and uninspired can be viewed with sense of irony and playfulness to have aes value

32. Nature more aes valuable than development because it is nature and/or ethically better?

a. Begs the question or gives up on aes preservationism if one argues that nature is aes more valuable than developments because of ethical considerations

b. Natural area aes better because it is nature

i. But this assumes that nature better than development and skeptics disagree

ii. In any case not appeal to aesthetics

iii. Purely a rhetorical device

c. This is the second horn of the AP dilemma below

33. Aes Preservationists dilemma’s two horns

a. One: Make case on purely aes grounds for thinking nature aes superior to human development

b. Two: Nature has greater aes value than development because ethics infected aes judgment

i. E.g., more beautiful because more natural

ii. More beautiful because more sustainable

(1) Industrial agriculture, despite its formal beauty, is ugly because it is unsustainable and thus has negative expressive qualities

34. Parson’s critique of letting ethics infect aesthetic judgment (2^nd horn)

a. Not really an aesthetic defense anymore

b. Calling it aesthetic is just a rhetorical ploy

c. Begs question against those who have a different ethical view about the value of nature versus the value of development

d. Ned’s suggestion;

i. Language of aesthetics can help focus what is ethically important

ii. Plays a useful heuristic role

35. Jana Thompson’s 4 reasons for why nature is typically more aes valuable than development (development of first horn)

a. Undomesticated nature, like great art, and so than typical development

i. Magnificent and rich in detail

(1) Grand canyon is an inexhaustible feast for the senses, intellect and imagination

ii. Changes or enhances our way of seeing the world

iii. Cultural significance for those who experience it

(1) American west and its cowboy history

iv. Capacity to put things in perspective

(1) Nature poses a challenge to our ways of thinking

36. Parsons’ worries about Thompson’s approach

a. Conflicts with science approach which will not like taking cultural history (iii) as central to aes value of nature

b. Unduly stretching concept of aesthetics

i. Not clear that capacity to put things in perspective is aesthetics as not clear tied to perceptual appearance of things

ii. Slap in face does this but not aes

iii. But literature’s and movie’s ability to get us to put things in perspective is not tied to perceptual appearance but we all think of this as aes (or at least I do)

c. Only protect’s nature’s masterpieces

i. Since the 4 above are analogy with great art and apply to great nature/landscapes, many more humdrum natural areas won’t be protected this way

ii. “Unremarkable bluff on Mississippi will not posses enough of these qualities to make it any aes better than a “decent oil refinery”

iii. Makes utility of aes preservation rather limited

Questions on Parsons, Ch 7: Aesthetic Preservationism

1. What is the difference between preservation and conservation?

2. Define aesthetic preservationism (=AP). Distinguish between various ways of viewing the importance of aesthetics in environmental preservation.

3. Explain the difference between aesthetics as a motive to preserve nature and as a reason to preserve it.

4. Give an example were there is a conflict between preserving beauty in nature and preserving nature’s wildness (degree of lack of human influence on it).

5. Are AP and post modern approach compatible?

6. Is aesthetic valuing of nature intrinsic or instrumental? What is the difference? Describe both sides of this dispute.

7. ? Is aesthetic value response dependent? Is it a human value? Is aesthetic value of nature anthropocentric? In what sense yes/no

8. What advantage does a preservationism based on aesthetics have over preservationism based on ethics (according to Parsons?). What might aesthetics include that ethical consideration might leave out? Do glaciers have interests (a good of their own) that we ethically must consider?

9. Explain the difference between strong and weak AP. What are arguments for and against each version?

10. Is aesthetic value a trivial value? Is aesthetics a weak defense of nature protection? Is it weak compared to reasons for nature destruction such as jobs, profits, etc?

11. Is nature (always, often, sometimes only) more aesthetically valuable than the human developments that replace it? Why does this matter for AP?