Fisher, Ch2: Tolstoy's Challenge: Is Art's Assumed High Value Justified?
- Art's high value an unquestioned and unexplained assumption
- Art has the highest cultural value
- Even people who don't go to art museums and listen to classical music
accept worth of these institutions
- Believe that art adds to our lives: art improves and uplifts audience, our
lives better for poetry and music, etc
- Bel good ed must give skills and knowledge to appreciate the arts
- Believe art of past has intrinsic value (for own sake)
- Art so significant it can make up for moral defects of those who create
and support it
- Moral failings of renaissance Papacy (scandal ridden, oppressive,
nepotism) made up for by its great support and contribution to art.
- Art's high status something it acquired in modern period
- Not always regarded so highly
- Artists used to be regarded as of equal worth to craftsman (carpenters)
- They became friends of kings and considered geniuses
- Art acquired the status of a religion
- Michelangelo's Fresco of creation used to exist for sake of Sistine
Chapel, now the chapel exists for the sake of the fresco
- Are reasons that propelled art to its high status still valid to us today?
- Objective Beauty no longer do the job (we think beauty subjective and
much art today has repudiated beauty)
- Continued high status of arts based on mere cultural inertia?
- Fisher: Need to rethink the basis for our belief in art's great
significance/meaning
TOLSTOY'S CHALLENGE
- Fisher's overall characterization of Tolstoy's position in "What is Art?"
- Tolstoy: 19th century Russian novelist (War and Peace, Death of Ivan
Ilych)
- Not attacking art in general but what was considered art in 19th century
- He thought art is enormously important, but 19th century forgotten why
- We tend to accept everything labeled as art as art and of significant value
- Tolstoy's view may not be art at all
- Art's costs are real and significant and art's value must be such as to
justify those costs/resources
- Value of result (art) should be roughly comparable in importance to value
of resources used
- Utilitarian view of art?
- Moralistic view of art?
- Tolstoy on costs of (resources spent on) arts (Tolstoy himself)
- Only military gets more resources devoted to it
- Vast amount of resources used
- Large buildings in every town
- Thousands of people engaged in hard labor
- Opera production: stage hands, musicians, performers, chorus,
music director, dramaticist, dancing master
- Stunting of human lives to become artists
- Thousands of people devote whole lives from childhood on to
twirling legs, or fingers or tongue quickly
- Grow savage and one-sided due to specialized and stupefying
labor and become dull to serious aspects of life
- Is it true that artists tend to be one-sided?
- Transgressions against morality in producing art
- Directors abuse performers
- 6 hour rehearsals where performers demoralized
- Best conductors do this (engage in brutal cruelty)
- Tradition of great artists (musicians) to be so carried away by
greatness of their business that they can't pause to consider
feelings of other artists
- Difficult to find a more repulsive sight
- Tolstoy on the value of what art is produced
- Lack of value in product (the art itself)
- Ordinary opera: A gigantic absurdity
- What do in opera not like what happens anywhere else but in opera
- No one is moved by such performances
- Ballet--half naked women voluptuously moving their bodies is simply a
lewd performance
- Some of this art is useless and some even harmful
- Further, no one can agree what art is and what is good art
- Art critics contradict each other
- Tolstoy's conclusion
- Unclear that the sacrifices offered at the shrine of art are justified
- Society (and artists themselves) need to find out if all that professes
to be art is really art
- And if all that is art is so important that worth sacrifices necessary to
produce it
- One Response to Tolstoy: His example is of bad art
- And it is good art, great masterpieces of art that justify art
- Worry that this would only lead to support of only the very best art
- Another argument for need to justify art's value: Resources spend on art
could feed the starving
- Given highly important alternative uses for the scarce resources that
go to art-millions lack basic human needs, for food, shelter and
medical care
- People are homeless and yet we give hundreds of thousands to Chas
Symphony?
- Why spend this money on activities that are marginally important to
many citizens?
- One justification for spending on art Fisher thinks won't work
- Fisher thinks that only if art has extremely high value can we
answer Tolstoy's challenge
- Art is an entertainment business (like sports and other and leisure
activities) justified by free choice of participants and enjoyment of people
involved
- Problems with art as entertainment business reply
- Doesn't explain why arts have higher status than other special interests
- Doesn't explain need for subsidies ( public & private) to make art
available to more than only a few
- Why should those who don't gain pleasure from art support giving
entertaining art lovers? Role of government to do this?
- Fails to see art as a "Public good"-like science, education, libraries,
preservation of nature
- Worth supporting even when doesn't "turn a profit"
- Business model of art-producers/consumers is a false idea: Producer/artists
doing what chooses and adequately paid, consumer who enjoys and pays for the
product
- Works for prof sports and entertainment
- Poor understanding of most serious art
- Worries/questions for Fisher
- But is the idea that for art to be serious, it can't pay for itself
- If your art sells so well that you make a good living, then it is not serious
art?
- Or if an art form can pay for itself, it's not serious art
- Main subsidizers of art are artists themselves
- Not only: Paying audience, taxpayers, corporations, foundations
- But mainly the artists themselves
- Subsidize own activities by devotion labor and personal resources
to produce art
- T.S. Elliot: No honest poet ever feels quite sure of
permanent value of what he's written; may have wasted his
time and messed up his life for nothing
- By accepting a reduced standard of living, at least in our
society
- Poet, painter, musician, starving in an attic
- Should pay artists more?:
- Doesn't make sense, if art of real importance, for majority of artists
to be treated as economically marginal, in contrast to other
professions of our society (doctors, lawyers corp exec.
- Is being a poet a good career choice?
- Lonely poets using lives to create poetry
- But being a poet gives one a sense of self-worth and this makes life
worthwhile, but then must be something worthwhile about poetry,
an important value
- Ned: Art must have great value for people to dedicate their lives
to it with little economic reward
Miscellaneous
- Art and Morality
- Traditional assumed that art improves and uplifts audience, our lives
better for poetry and music
- Recent artists say independent of morality and can disregard and
contradict it
- Recent art neither pleasurable to or understandable by lay person
- Beauty once was the basis for the importance of the arts
- Beauty is objective and objectively good and arts
participated in it
- No longer possible
- Now think of beauty as subjective
- Much of 20th century art has repudiated beauty
- But don't the champion other positive aesthetic values?
- They don't champion ugliness, do they?
- Tolstoy accepted a version of expression theory
- True function of art is expression of feeling
- A function as vital to society as communication of facts and ideas by
language
- Real art as important to society as food and water, false/counterfeit art of
no value at all.
- By this standard much art of his day was not true art, and much not
thought to be art was art
- Fisher says even some great art doesn't perform this function
- Given costs, would be irrational to say no account of value of art required
- Would be irrational to provide resources unless art had some positive
value