Philosophy 280: Aesthetics, Schedule of Assignments, Hettinger, Fall 2015
1. Aug 26: Introduction
Origins of Art
2. Aug 31: Stephen Davies, The Philosophy of Art (hereafter “Davies”), Ch. 1: Evolution and Culture, pp. 1-25
What is Art?
3. Sep 2: Elizabeth Telfer, “Food as Art,” Arguing About Art (hereafter “Arguing”), pp. 11-29
4. Sep 7: Davies, Ch. 2: Defining Art, pp. 26-51
5. Sep 9: “Is it Art or Just a Toilet Seat?” on class webpage
Public Art and Censorship
6. Sep 14: Two readings:
a. Various contributors, “Transcript of a Hearing to Decide the Future of Tilted Arc,” Arguing, pp. 399-405
b. Gregg Horowitz, “Public Art /Public Spaces: Spectacle of the Tilted Arc Controversy,” Arguing, 416-426
See also Dave Barry, “Does Public Art Make Sense?” (humor) on class webpage
7. Sep 16: Michael Kelly, “Public Art controversy: The Serra and Lin cases,” Arguing, pp. 427-439
a. Possible video in class: Maya Lin: A Strong Clear Vision
8. Sep 21: Peter Levine, “Lessons from the Brooklyn Museum Controversy” on class webpage
a. Also, “Quebec Special Effects Artist Not guilty of Corrupting Morals” on class webpage
What is Aesthetic Appreciation?
9. Sep 23: Davies, Ch. 3: Aesthetics and the Philosophy of Art, pp. 52-80
10. Sep 28: Same as above
Rock versus Classical Music
11. Sep 30: Roger Scruton, “The Decline of Musical Culture,” Arguing, pp. 121-136
12. Oct 5: Bruce Baugh, “Prolegomena to Any Aesthetics of Rock Music” on class webpage
13. Oct 7: Stephen Davies, “Rock versus Classical Music” on class webpage
14. **Oct 12: Midterm Exam**
The Ontology of Artworks
15. Oct 14: Davies, Ch. 4: Varieties of Art, pp. 81-108
Oct 19 (& 20): Fall Break
16. Oct 21: Same as above
**Paper proposal due: Friday, Oct 23th by email to hettingern@cofc.edu
Meaning, Intention, and Interpretation
17. Oct 26: Davies, Ch 5: Interpretation, pp. 109-134
Emotion and Art
18. Oct 28: Alex Neill, “Fiction and the Emotions,” Arguing, pp. 272-288
19. Nov 2: Berys Gaut, “The Paradox of Horror,” Arguing, pp. 317-329
20. Nov 4: Davies, Ch 6: Expression and Emotional Responses, pp. 135-166
21. Nov 9: Same as above
Representation and Art
22. Nov 11: Davies, Ch. 7: Pictorial Representation and the Visual Arts, pp. 167-195
Environmental Art
23. Nov 16: Glen Parsons, “Art in Nature” on class webpage
a. Video: Andy Goldsworthy, “Rivers and Tides”
Value and Art
24. Nov 18: Kendall Walton, “Morals in Fiction and Fictional Morality” on class webpage
**Paper due: Friday, Nov 20th, 1 pm, 14 Glebe (inside) mailbox (paper copy)**
25. Nov 23: Davies, Ch 8: The Value of Art, pp. 199-231
a. Video: Riefenstahl’s Triumph of the Will
Nov 25-29, Thanksgiving Break
26. Nov 30: Same as above, plus three readings:
a. Goldfish Blending Art? on class web page
b. “Is Starving a Dog Art? Depends, Art Professor Says” on class webpage
c. “Artist Leaves Dog To Die on Exhibition Display” (Snopes discussion)
Aesthetics of Nature
27. Dec 2: Allen Carlson, “Aesthetic Appreciation of the Natural Environment,” Arguing, pp. 157-171
28. Dec 7: Noel Carroll, “On Being Moved by Nature: Between Religion and Natural History,” Arguing, pp. 172-191
**Final exam: Monday, Dec 14th, 4-7pm, in classroom**